Music Portfolio
Ruin
ken
Produced and mixed in 60 minutes; finalist for mix clarity and production quality. Ableton Live with a template-based workflow for speed, final balance on Pro Tools via Avid S6 for tactile signal processing.
Mess I've Left Behind
ken ft. KAFU
Directed a live recording session for an 8-piece ensemble (6 violins, 1 cello, 1 banjo): coordinated mic placement, sheet music distribution, and talent communication. CeVIO AI (KAFU) integrated as lead vocal, mixed to blend organic and synthetic textures. Mixed by Riley Finkle.
Taste of Candy
ken ft. Hatsune Miku
Ballad vocal synthesis via Hatsune Miku on Synthesizer V. Extensive manual tuning of phonemes, pitch curves, vibrato, dynamics, and brightness to eliminate robotic artifacts. iZotope RX9 for noise floor management within a dense arrangement.
LOONA - Flip That
ken Remix
A house/future bass remix of a K-pop song. RX9 for vocal isolation and Ableton Live for arrangement.
Forget Me
ken ft. Hatsune Miku
My first track using Synthesizer V to use Hatsune Miku. Includes heavy use of vocoding to create a rough but slim texture, as well as a violin solo.
Out of Love
ken ft. Hatsune Miku
A revisit to Miku, learning the depths and details of vocaloid synthesis. The primary focus was on 'tuning' in Synthesizer V, adjusting phonemes and pitch curves to stylize the performance.